It is the obligation of each reader and writer to prepare in advance, focusing on what succeeds in each piece, and where and why, noting judiciously where improvement is needed, and why.
The piece is under discussion. The author is not. Make sure your comments relate to the nature of the writing and not (even by implication) to the character of the writer. Separate the writer from the voice or character.
Continue to interrogate the piece: What kind is it? What does it suggest? What is its apparent aim?
The goal of the workshop is to make every piece the very beat it can be. There is no place for dismissal or disregard. On the contrary, the workshop is there to identify and foster promise in every story, essay, poem, or drama.
As the writer, your obligation is to listen attentively, take everything in, and keep your natural defensiveness in check. You will always have an opportunity to speak. But this is the least important part of the workshop process for you. The most important part comes later, when you get back to work. Then (and only then) you will begin to sort out what’s most useful in your piece.
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